Aqle Sorkh treatise of Sheikh Shahab al-Din Yahya bin Habash bin Amirak Abul Fottuh Suhrvardi, nicknamed Sheikh Shahid, a famous philosopher of the 6th century A.H. and the founder of the Ishraq school of philosophy, both from the point of view of form, structure, and narrative logic, and from the Aristotelian point of view, contains dramatic elements and features It is a in its show. The value of the concepts, content and hidden meaning in this work can be a guide for performers and writers in the field of drama and theater due to the wisdom included in it by Sheikh Eshraq. This treatise, with its dramatic capacities, draws a journey that leads a person in pursuit of his individuality and in the direction of knowing the of his existence, towards a transcendent truth that was once shrouded in darkness and hidden away from his eyes. The existence of elements such as plot and conflict, character, dialogue, time and place of drama, crisis and chaos and disaster, etc., which are considered the basis of dramatic text from Aristotle’s point of view, can be deliberately and scientifically evaluated with the knowledge of the Eastern worldview hidden in Red Intellect. The following article, with a comparative approach and relying on the descriptive-analytical research method and using library sources, explains the dramatic aspects of the treatise Aqle Sorkh, of course, based on Aristotle’s opinions on the art of poetry. And It evaluates and evaluates this ancient literary tale, through a descriptive and comparative study, in order to analyze its representational capacities - which are sometimes only examined in the framework of ancient tales, - through a descriptive and comparative study. And In this way, by entering the realm of drama, present the work can be presented to the audience of ancient literature and dramatic literature.